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camhead
Feb 17, 2011, 7:55 PM
Post #61576 of 105309
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Registered: Sep 10, 2001
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asdf
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Arrogant_Bastard
Feb 17, 2011, 7:55 PM
Post #61577 of 105309
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Registered: Oct 31, 2007
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camhead wrote: fuck, already?
Yes.
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camhead
Feb 17, 2011, 7:55 PM
Post #61578 of 105309
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GO BACK TO THE SHADOWS!
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Arrogant_Bastard
Feb 17, 2011, 7:56 PM
Post #61579 of 105309
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carp.
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camhead
Feb 17, 2011, 7:56 PM
Post #61580 of 105309
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reply
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snoopy138
Feb 17, 2011, 7:56 PM
Post #61581 of 105309
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Registered: Jul 7, 2004
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AB, deleting two posts probibly won't be that difficult.
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camhead
Feb 17, 2011, 7:56 PM
Post #61582 of 105309
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Registered: Sep 10, 2001
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tense
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camhead
Feb 17, 2011, 7:57 PM
Post #61583 of 105309
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I can only imagine the mass deleshnz going on right now
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Arrogant_Bastard
Feb 17, 2011, 7:58 PM
Post #61584 of 105309
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snoopy138 wrote: AB, deleting two posts probibly won't be that difficult.
Nice try.
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camhead
Feb 17, 2011, 7:58 PM
Post #61585 of 105309
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Registered: Sep 10, 2001
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gargh
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camhead
Feb 17, 2011, 7:59 PM
Post #61586 of 105309
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Registered: Sep 10, 2001
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fuck this, Ima go plant mah spinaché!
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snoopy138
Feb 17, 2011, 7:59 PM
Post #61587 of 105309
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camhead wrote: in lieu of my failzed ptftw, I might contribute some actual conversation content. I forwarded that princeton article about the mathematics of music to my pops, who is a pretty kickass musician. He mentioned this story from a class in grad school: In reply to: Interesting article - my bassoon teacher was way into music via math; this was in the early days of computers and he was seeking ways to express music in mathematical terms. He ended up leaving music and becoming a programmer. His observation was that mathemeticians search long and deep for these symmetries that the greatest composers and improvisers intuit. I recall one exercise we did in a 17th century counterpoint class. It turns out that there were numerous rules for intervals, inversions, resolutions, voice leading, etc. etc. that governed relationships between contrapuntal lines in Bach's and Mozart's time. We analyzed a 5 part fugue that Mozart wrote [apparently in a very short time]. There were something like 128 possible vertical combinations of the 5 voices - Mozart of course didn't use all the combinations in his piece, but we took the time to write them all out and analyze them - they all adhered strictly to all the rules. It's obvious that Mozart wouldn't have taken the time to do that big analysis, so he must have had a strong internal sense of what those five voices needed to be to successfully interact. We were all awestruck. So, cool stuff; a lot of this quantification of music and what makes it sound good only has the end result of what musical geniuses already "feel." yore not reading that^^^^
I read it, but have no idea what the fuk contrapuntal lines, Mozart, or vertical combinations of voices are.
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dr_feelgood
Feb 17, 2011, 8:07 PM
Post #61588 of 105309
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Registered: Apr 6, 2004
Posts: 26060
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camhead wrote: dr_feelgood wrote: camhead wrote: meatbomz wrote: imnotclever wrote: meatbomz wrote: dr_feelgood wrote: Those folks really needed some robojesusing. All those boobs and guns surely indicate a life of sin. wow. just watched that. that's some fukked up shit. I filed it under "spoof", though it did give me paws to do sew. Yeah, the trailer never mentioned a title, and 30 seconds of extensive googling for every variation of cyber android robot jesus turned up no movie links. Which, in my mind, is unfortunate. yeah, it would be cool if there was some sort of apocalyptic battle royale movie between Zombie Jesus and Robot Jesus. One of them would have to be the antichrist, though.
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kachoong
Feb 17, 2011, 9:27 PM
Post #61590 of 105309
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Registered: Jan 23, 2004
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dr_feelgood wrote: climbs4fun wrote: Arrogant_Bastard wrote: That was it for the morning entertainzmints? Lame eh? Imagine my disappointment, at 7 am...
We are knot hear to entertain ewe!
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kachoong
Feb 17, 2011, 9:28 PM
Post #61591 of 105309
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Registered: Jan 23, 2004
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tripperjm wrote: snoopy138 wrote: tripperjm wrote: Dun't kotice it untill ewe mentioned it. Still, I has to wonder ifs ewe are won ov those harsh so-cal people with know respect? probibly? I have a beat up red rope I could sell you for $20. Huh? Pay fer ropes? Now that wood be kinda silly, that wood be like paying for shoez... and who in there rite mind wood do sumthing as stupid as that?
So what's teh challenge to receive a free roap?
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kachoong
Feb 17, 2011, 9:30 PM
Post #61592 of 105309
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Registered: Jan 23, 2004
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snoopy138 wrote: tripperjm wrote: snoopy138 wrote: tripperjm wrote: Dun't kotice it untill ewe mentioned it. Still, I has to wonder ifs ewe are won ov those harsh so-cal people with know respect? probibly? I have a beat up red rope I could sell you for $20. Huh? Pay fer ropes? Now that wood be kinda silly, that wood be like paying for shoez... and who in there rite mind wood do sumthing as stupid as that? I'll throw in a petzl spirit draw.
That reminds me... I'm getting bones this weak. With those, teh noo grigri that's n the way and my brand noo Sterling nano I'll be set to crush teh sport gnar
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meatbomz
Feb 17, 2011, 9:30 PM
Post #61593 of 105309
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Registered: Apr 23, 2010
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climbs4fun wrote: dr_feelgood wrote: climbs4fun wrote: Arrogant_Bastard wrote: That was it for the morning entertainzmints? Lame eh? Imagine my disappointment, at 7 am... I've been home sick. They kicked me out of work yesterday. I'm not entertaining nobody! That's what you guys are here for
homesick or home sick?
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meatbomz
Feb 17, 2011, 9:30 PM
Post #61594 of 105309
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Registered: Apr 23, 2010
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imnotclever wrote: climbs4fun wrote: dr_feelgood wrote: climbs4fun wrote: Arrogant_Bastard wrote: That was it for the morning entertainzmints? Lame eh? Imagine my disappointment, at 7 am... I've been homesick. They kicked me out of work yesterday. I'm not entertaining nobody! That's what you guys are here forI bet your mom misses you too.
GUed
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meatbomz
Feb 17, 2011, 9:32 PM
Post #61596 of 105309
(5086 views)
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Registered: Apr 23, 2010
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Arrogant_Bastard wrote: PTFTW!
had some contestants it looks like
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kachoong
Feb 17, 2011, 9:32 PM
Post #61597 of 105309
(5172 views)
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Registered: Jan 23, 2004
Posts: 15304
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Arrogant_Bastard wrote: snoopy138 wrote: tripperjm wrote: snoopy138 wrote: tripperjm wrote: snoopy138 wrote: tripperjm wrote: Dun't kotice it untill ewe mentioned it. Still, I has to wonder ifs ewe are won ov those harsh so-cal people with know respect? probibly? I have a beat up red rope I could sell you for $20. Huh? Pay fer ropes? Now that wood be kinda silly, that wood be like paying for shoez... and who in there rite mind wood do sumthing as stupid as that? I'll throw in a petzl spirit draw. I still kan't believe sumbody stole that shit from me. I just can't believe somebody knew to walk up there at the end of the day. Really sounds like an inside job. Durp. I thought it was the camp stocker until I learned that draws were stolen too.
Coz he can't climb?
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meatbomz
Feb 17, 2011, 9:32 PM
Post #61598 of 105309
(5166 views)
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Registered: Apr 23, 2010
Posts: 7073
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snoopy138 wrote: concern 1) prevent kamhed from getting PTFTW. concern 2) get pTFTW.
greatly overthought
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kachoong
Feb 17, 2011, 9:34 PM
Post #61599 of 105309
(5082 views)
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Registered: Jan 23, 2004
Posts: 15304
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camhead wrote: You shall not PASSSS!!!!!
Whadda ya gonna do? Bleed on me?!
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kachoong
Feb 17, 2011, 9:35 PM
Post #61600 of 105309
(5080 views)
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Registered: Jan 23, 2004
Posts: 15304
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camhead wrote: in lieu of my failzed ptftw, I might contribute some actual conversation content. I forwarded that princeton article about the mathematics of music to my pops, who is a pretty kickass musician. He mentioned this story from a class in grad school: In reply to: Interesting article - my bassoon teacher was way into music via math; this was in the early days of computers and he was seeking ways to express music in mathematical terms. He ended up leaving music and becoming a programmer. His observation was that mathemeticians search long and deep for these symmetries that the greatest composers and improvisers intuit. I recall one exercise we did in a 17th century counterpoint class. It turns out that there were numerous rules for intervals, inversions, resolutions, voice leading, etc. etc. that governed relationships between contrapuntal lines in Bach's and Mozart's time. We analyzed a 5 part fugue that Mozart wrote [apparently in a very short time]. There were something like 128 possible vertical combinations of the 5 voices - Mozart of course didn't use all the combinations in his piece, but we took the time to write them all out and analyze them - they all adhered strictly to all the rules. It's obvious that Mozart wouldn't have taken the time to do that big analysis, so he must have had a strong internal sense of what those five voices needed to be to successfully interact. We were all awestruck. So, cool stuff; a lot of this quantification of music and what makes it sound good only has the end result of what musical geniuses already "feel." yore not reading that^^^^
I fell asleep at bassoon.
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